THIRTY THREE, 2023
I'm a paragraph. Click here to add your own text and edit me. It’s easy. Just click “Edit Text” or double click me to add your own content and make changes to the font. Feel free to drag and drop me anywhere you like on your page. I’m a great place for you to tell a story and let your users know a little more about you.
This is a great space to write a long text about your company and your services. You can use this space to go into a little more detail about your company. Talk about your team and what services you provide. Tell your visitors the story of how you came up with the idea for your business and what makes you different from your competitors. Make your company stand out and show your visitors who you are.
PAST EXHIBITIONS
FYI: I'M ABOUT TO LOVE YOU, 2023
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STORE POLICY
SHIPPING POLICY
FRAGILE CONCRETE,
2023
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I’m a Shipping Policy section. I’m a great place to update your customers about your shipping methods, packaging and costs. Use plain, straightforward language to build trust and make sure that your customers stay loyal!
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RETURNS POLICY
tipografia_
A collaborative experimental typography book signature on typefaces. My typeface is ‘Akzidenz-Grotesk’. Including the typeface anatomy, characteristics, and its historical content.
tipografia_
A collaborative experimental typography book signature on typefaces. My typeface is ‘Akzidenz-Grotesk’. Including the typeface anatomy, characteristics, and its historical content.
I’m a return policy section. I’m a great place to let your customers know what to do in case they’ve changed their mind about their purchase, or if they’re dissatisfied with a product. Having a straightforward refund or exchange policy is a great way to build trust and reassure your customers that they can buy with confidence.
I'm the second paragraph in your Return & Exchange policy. Click here to add your own text and edit me. It’s easy. Just click “Edit Text” or double click me to add details about your policy and make changes to the font. I’m a great place for you to tell a story and let your users know a little more about you.
PAYMENT METHODS
Credit / Debit Cards
PAYPAL
Offline Payments
THE MOON IS PINK, 2023
I'm a paragraph. Click here to add your own text and edit me. It’s easy. Just click “Edit Text” or double click me to add your own content and make changes to the font.
A collaborative experimental typography book signature on typefaces. My typeface is ‘Akzidenz-Grotesk’. Including the typeface anatomy, characteristics, and its historical content.
tipografia_
A collaborative experimental typography book signature on typefaces. My typeface is ‘Akzidenz-Grotesk’. Including the typeface anatomy, characteristics, and its historical content.
tipografia_
A collaborative experimental typography book signature on typefaces. My typeface is ‘Akzidenz-Grotesk’. Including the typeface anatomy, characteristics, and its historical content.
tipografia_
A collaborative experimental typography book signature on typefaces. My typeface is ‘Akzidenz-Grotesk’. Including the typeface anatomy, characteristics, and its historical content.
tipografia_
A collaborative experimental typography book signature on typefaces. My typeface is ‘Akzidenz-Grotesk’. Including the typeface anatomy, characteristics, and its historical content.
tipografia_
SPACE-BETWEEN / ESPACE-ENTRE
DESIGN AND COMPUTATION ARTS YEAR END EXHIBITION // DESIGN CONCEPT
‘Space-between’ unites humans through the reiteration of senses we are lacking during this moment in time: touch, light, air, and human contact. ‘Space-between’ signifies the feeling of isolation, untouched, and the invisible subject. More specifically, ‘space-between’ represents the imposed distance of ‘space’ between humans and things; the social distance of space-between us and others, plexiglass shields, the space-between us and our mask, and the space-between self-isolation in our homes.
BRINGING individuals together through new forms of intangibility, and envisioning the presence of physicality we are lacking. ‘Space-between’ juxtaposes our sixth-sense by using and practicing our intuition of the unknown, “a power of perception like but not one of the five senses, a keen intuitive power” (Definition of SIXTH SENSE).
Definition of SIXTH SENSE.https://www.merriam-webster.com/dictionary/sixth+sense. Accessed 29 Jan. 2021.
KEY WORDS
TOUCH
SENSES
LIGHT
AIR
UN-TOUCHED
IN-BETWEEN
UNKNOWN
INVISIBLE
SIXTH-SENSE
INTANGIBILITY
TEXTURE
INTERACTIVITY
DESIGN RESEARCH
PRIMARY PHASE of inspiration from ‘Carlo Bunga’s Cardboard Topographies: A Sudden Beginning’
Carlos Bunga’s design choice uses a contrasting art direction for each floor, while focusing on open-space, invitement, and the distance between visitors. The first floor ‘Procession’, uses tall architectural structures, that are large scale, and vertical.
In contrast to our current global situation, by reflecting upon instability and uncertainty humans are experiencing at the moment. The way each cardboard box is arranged experiments with the potential of spatiality, structure, and negative space while working around the museum's existing architecture. The division between the two floors allows visitors to experience each space to form their own sense of orientation, movement, and direction within it’s space. Bunga reverses the placement of each installation in reference to the scale of each piece.
The visitor’s journey allows people to wander, embed themselves, use their body to orient themselves and create a performance within a given space. The only way the exhibit can be experienced in-person is by entering the space and is not viewable from the exterior.
The ‘occupy’ installation particularly caught my attention, as Bunga has given a new purpose to cardboard boxes, exploring the endless possibilities of the basic material by creating a grounded, structural and infinite landscape. I think that Bunga’s extensive use of cardboard also amplifies the overconsumption of cardboard box packages humans have been receiving from online orders during this pandemic. As the modular arrangement and planning of the cardboard boxes, the landscape, and human bodies mimic the idea of ‘taking up a space’. Overall, I think Bunga’s approach of using recuperated materials, and showcasing the thinking, and making process was executed well, which can also be an element of inspiration for our year end D/CART Show.
